THES ONE & O-DUB FOR DUST AND GROOVES
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One of the few freelance pieces I have taken on over the past year was to
interview Thes One for Dust and Grooves. D&G’s creator, Eilon Paz,
specifically w...
2.26.2010
Lion-Less Helter-Skelter Honky-Tonk
That's Duane Eddy, on Youtube. Okay?
Create a makeable digital download-version of the same here, plus other songs
So, more deets about the most recent AMX mix that I birthed,
entitled "AMX: Black Mask McGuffin".
This one was modeled after the Pulp Fiction soundtrack; precisely, it's based upon my imprecise memory of it. SO there is Al Green-ish RnB; there is surf-y, country-y, honky-y tonk-y rock too. About 6 of one, half dozen of the other.
You should have a good idea of the BLACK side- see all my posts on Philadelphia International Records, on Jerry Butler, etc.
Now I'm giving you a dose of the WHITE side- the honky-tonk bits. You know, the white man's blues: barroom sad-sack business. Chorales for "The Loser's Cathedral", as a jam by David Houston calls bars.
You are asking yourself why the mix "Black Mask MacGuffin" is called what it's named; or conversely, why it is named what it's called.
Definition of a MacGuffin (from www.filmsite.org):
"Alfred Hitchcock's term for the device or plot element that catches the viewer's attention or drives the logic or action of the plot and appears extremely important to the film characters,
but often turns out to be insignificant after it has served its purpose;
its derivation is Scottish, meaning a "lion trap" for trapping lions in the lion-less Scottish Highlands (i.e., a trap that means nothing, since it is for an animal where there is no such animal)."
That would be the suitcase in Pulp Fiction.
"Black Mask" was a working title of the movie: I think that would refer to "the Gimp".
One last chance: Download AMX: Black Mask McGuffin.zip.
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