Oh, Ricky Nelson. You used to be a heartthrob, back when that meant something. Yes, you had your version of Youth Rock. Very white, very innocent, very fun.
A friend of mine fell off a scooter. She's okay, but she did injure her
coccyx.
It's not funny.
Also not funny is how good Wilson Pickett is.
R I G H T ?? !! ?? (I tell you, I am not one bit joking when I say: my grandfather has the exact same suit. He wore it to my high school graduation, and damn, if he didn't look sharp.)
This is an album I picked up a while ago. Again, it came from the Second Mile thrift; not too surprising, since the album before this one was called "Wilson Pickett in Philadelphia" (it was produced here by Gamble and Huff). That probably helped him gain a little more regional recognition.
"Don't Knock My Love", on the other hand, took him back to his ruts (that's "roots", pronounced Southern Style) - it was produced at the famous Muscle Shoals Studios.
When I first put on this record, I'll admit that I thought it a little slick.
I don't know what the hell I was thinking, because it's in fact more than a lil' gritty. Maybe it was the suit that threw me (the suit above, obviously: that's the cover of the record of which I speak). Well, as Wilson himself told me, You Can't Judge A Book By Its Cover.mp3 (download).
Music; musing; must-haves.
The curatorial agenda. Sealing up a void whose vacuity was a source of distress to no one. The seed I am most likely to sow is a certain jargon. Built on tilt. The center of a new universe of counterfeit. Increasingly random and increasingly increasing.
THES ONE & O-DUB FOR DUST AND GROOVES
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One of the few freelance pieces I have taken on over the past year was to
interview Thes One for Dust and Grooves. D&G’s creator, Eilon Paz,
specifically w...
Hotel Bar Sessions, Ep 31: Whose History?
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The HBS hosts sit down with Dr. Charles McKinney, Jr. to talk about whose
history is (and isn't) being taught.
Following on the heels of a recent and ...
