Funkin' Around: The House That Disco Built

Okay, funk a little of this through your speak's and 'phones.


This is one of the deftly selected tracks from the last mix (grab a fistful of music, including the song below, here). Now, these fellows may not appear so very cool, but I think they spent all their money recording all those instruments in the studio. And so they spent very little designing, shooting, and dressing for the record cover.

You know, it's expensive to record this many guys.
A story made super short- the expense of putting full large bands in the studio (for disco, funk, etc) was an annoyance for bands and labels alike. So, when synthesizers made it possible to sub out a few guys, and lay down an additional sound without paying an additional dude- well, synths were understandably popular.
And that is how house music is born (I told you this was the short version). Broke people (so more blacks and Latinos- less ABBA Northern European) could make disco without having to have/pay a full band (no drummer, no strings, no piano player, etc) because one person could use synths instead.

-But!- using different materials (the instruments), even if one were trying to exactly replicate an existing form (disco), will inevitably shift the form too. Disco -->(shifty synthy changey)--> House.
(dropping eggs of knowledge in the discothèque)

Now, this song is not proto-house or anything; that is not what I'm trying to claim. But the "Wedded To The Discothèque" mix I made does eventually shift from disco to more recent house. So I thought I'd throw out a condensed version of how that happened historically. How it happens on the mix is different.
Pretend you are at a wedding reception that you actually really really want to be at- I'm DJing (ahem!). After a while, though our parents have drifted away from the dancefloor, we are really just starting to get wound up.
Gotta let it loose.
So your (inimitable! inestimable! incorrigible!) DJ eases out of the Disco classics, and slips into our classics- Blur, Daft Punk, and a few dance gems that you will crown classics, once you have heard them. Check the Jesper Dahlback RMX of Fox 'n' Wolf, for instance. In fact, check out the whole track listing on the last post.

Suicide, By Machete- I Are The One

Oh, some art things are coming up that are total musts.


Klute- We R The Ones (Remix). Relased on the stellar Commercial Suicide label. You'll see why I chose this in a sec.

Slought Foundation is doing this project where they are displaying all these mysterious objects. At one time, they were part of a sort of foreign travel/foreign commerce edutainment thing at this old 'Commercial Museum'. The Commercial Museum, for various reasons, got phased out.... committed suicide, you might say....
but they were in possession of all these random artifacts. So Slought is displaying them.

They're foreign.
Old.
and WTF-y.
Somewhat like this:

Or like the book I have of Chinese paintings of the Life of Christ.

Read more about the exhibit at Slought; there is much more to it then I am saying here.

Did I mention that you can borrow some of the pieces?
Do you realize how much more awesome inexplicable artifacts I could add to my house with this deal?

So let's go to that soon, yeah? We only have until June 12th.

Also, we are already going to Marginal Utility's First Friday. Marginal Utility also puts out the Machete zine/periodical/provocation.


And, Vox Populi is in the same building as Marginal Utility, so we all slip from one floor to the other throughout the eve. Always a good time; I'll see you there.

Blue Lives: Fire Diamond Edition

The Massive Attack album Blue Lines came up twice lately. With Neil for sure, and perhaps with our new friend MarguaX-Y-Z.



I was telling Margauz about music I listened to in high school, and told her and Neil both that a lot of so-called 'trip-hop' hasn't aged so well. Massive Attack, however, is just as great now as then: "Same As It Ever Was".

Blue Lines' cover (see above) reminds me of this:


which is called NFPA 704 (?), and more provocatively, a FIRE DIAMOND .

It sums up the dangers associated with any chemical, on a scale of 0-4 (0 = NBD, 4 = vewwy bad) : blue is health risk, red is flammability, yeller is instabilty/reactivity (think about it, they mean the same thing), and white, much like my blog readership, is 'special'.


Neil knows about Massive Attack because he is Irish. They are one of those bands, like Super Furry Animals, where you know them automatically if you are British, and probably don't know if you are an American, and still only maybe know even if you are an American Indie Nerd.
"Just as great" also includes another album, Mezzanine.

Maybe some other time I will tell you what I think about Mezzanine, which I like even more than the excellent Blue Lines.
But today is not that day. All I will say is this little creepy American Indie Nerd gem: 'it has really good production'.

ew
that's grosser than the bug picture, innit?

The song you are listening to is a cover, although for the longest time I took it to be the original. Still never heard the original (by William DeVaughn), although I now know it to be a cover. This knowledge comes to me courtesy of the American Indie Nerd band Yo La Tengo.
Download their live cover of "Be Thankful for What You've Got" here
Yo La Tengo do a lot of covers, because one of the nerds people in the band used to be a record clerk. So he knows a bit about old obscure business, you see.
All versions of the song say "Gangster Whitewalls", which I like.

Pirate Radio- "Lost" and Found Sounds

I have put together two mixes based on the TV series, "Lost."
DOWNLOAD "Lost- Pirate Radio One.zip"
Now, I've never seen this show. I just want to cash in on its popularity while I still can (before everyone realizes that it just is not that good).



My favorite character (again, haven't seen it: this is all overheard hearsay) is one John Locke. Why my favorite?
He uses a machete,
He has been in a wheelchair,
He has no hair.

I would do all these things: I would roll around viciously swording all those who dared not step out of the way of my wheeled chariot (and my head is shaved already!).

He also will defend his property, which I guess means something to those of you who read philosophy.
But as (philosopher) Locke tells us, the natural right to property, in civil society, may come with contractual limits. For instance, a DVD I bought at the dollar store informed me that my right of ownership, granted to me by my purchase, in fact "excludes the use of this DVD at locations such as clubs, coaches, hospitals, hotels, oil rigs, prisons, and schools."
Okay!

On to the mix: since I never saw the show, only two things are guiding the selection:
1) that something about the title/band name/ evokes something "Lost"-y to me: islands, water, fighting, Weird Science, etc.
2) that the songs would be fun enough that, even if you didn't know them, if you heard them in the background at a party, you would like them. So they must be 'party' songs, like funtime partytime, not like dancing partytime. Some you can dance to, though; it is not contractually forbidden.

Whereby a wonderful radio-like mix is made.
(This is the actual contract that I and my computer signed. Computer being digital, it signed it electronically, with a PIN.)

!TRACK LISTING!
for "Lost- Pirate Radio One.zip"


1) Hey There, Little Insect ?? ? ?? Modern Lovers
Funky little ditty. 'Monologue on Bermuda' coming up on a near-future blog (it's by Jonathan Richman, lead guy for ModLovers).
(because islands have insects?)

2) Jailbreak ?? ? ?? Thin Lizzy
Lyrics: "sirens wail, tonight all systems fail; hey you good-lookin' female: c'mere"
(because trapped on an island is roughly jail?)

3) No Fun ?? ? ?? The Stooges
Clapping- pretty much the most fun Stooges song, oddly enough.
(because would being on an island, even if there are polar bears and limbo contests and you get a really good tan base, really be that fun, after a few weeks?)

(download mix here)

4) In The Mouth A Desert ?? ? ?? Pavement
(sand=desert; islands have sand, right?)

5) Perfidia ?? ? ?? The Ventures
Off the sensational follow-up to "Vol 1. Original Hits". Off the 'present' side of the vinyl, not the 'past' side. Apparently, the 'present' is about '62. Surf rock classic. The Ventures covered "Apache"; a later cover by The Incredible Bongo Band is one of the most sampled songs ever. RESPEK!
(because surfing is what islanders do? Also, because this song sounds like sun?)

6) Eisbär ?? ? ?? Grauzone
punk-funk, new wave, whatever you need to call it. Sorta awesome. I got this actually in Germany: how about that?
(because 'Eisbär' in German means 'polar bear', and wasn't there a polar bear one time?)

7) This Must Be The Place (Naive Melody) ?? ? ?? Talking Heads
I got this song off a free promo CD that Gary gave me; ehm, it was "She's just not that into you", I'm afraid to say. But this and 5 other really good songs on it. So I took it.
(because the island must be 'the place', whether 'the place' is purgatory, the future, or whatever? Have they even told you what the island actually is yet?)

(download mix here)

8) You Can't Hide From Yourself ?? ? ?? Teddy Pendergrass
Classic Philly soul. RESPEK!
(Cos where are you gonna hide on an island, huh? Riddle me that!)

9) I Think We're Alone Now ?? ? ?? Tommy James and The Shondells
By the band that brought you the ultrafamous "Crimson and Clover" (over and over...). This song, you will remember from your misspent youth- Tiffany covered it!
(cuz, 'cept for the other people there, you are abandoned by all humanity? Except maybe DARPANET or whatever it's called?)

10) Cocoanut Water, Rum, and Gin ?? ? ?? George Symonette
Calypso, which is about the most fun music ever. This songs claims that this drink will cure diseases, make you rich and attractive, and also get you drunk. I partially believe him.

11) Tide Is High ?? ? ?? The Paragons
Another song covered when you were just knee-high, by Blondie this time. This is the old-style reggae, uprock sweetness. Just a delight, a delightful delight.

(download mix here)

12) Sailor Man ?? ? ?? Turbonegro
I gave you a little fireside chat about this song already, here.
(b/c Sailors go to, and get you to, islands? and PIRATES!)

13) Survival of the Fittest ?? ? ?? Mobb Deep
This is an absolute classic hip-hop track; quoted sampled homaged etc in many many tracks. A few classic lines:
"You scared to look, you shook, cuz ain't no such thing as halfway crooks" (EPIC)
"worse come to worse, my people come first"
and, mais oui, the chorus lines: "Survival of the Fittest - Only the Strong Survive"
(Because, there are no welfare programs in the State of Nature, and you cannot get voted immunity on the "Lost" island?

Jet-Fret Life (the Battle of Midway) - First Portion

You know about my travel-troubles already. Flew to airports 6 times- went nowhere (fast), and it took two days.
The net effect of my traveling and time was, effectively, this:



No control, no certainty of where I'd be moved next: I felt like a puppet!



Don't be scared of the above: it's not more recent Lee Perry; it is from before his brain was crushed up like apple sauce by too many drugs. Back when it was merely drug-fueled and still runnin' smooth. So it's not all WayFuzzDubMush, but just way pleasant, sunny day, grin-music. Like Modern Lovers, sort of, some of it. But of course, ol' reggae stylee.

(Oh, obviously I mean it's like Modern Lovers in feel, not really in sound. Jonathon Richman will do Calypso songs sometimes, but that is a different Caribbean beast altogether, innit?)

Futurist Revelations - the Second (secular) Coming - Be Thankful!

Yeeeeuh... another mix, matched so mean! This one is the originally planned mix for The Second (Secular) Coming: this one deals not with my colossal narcissism, but rather with the purity of spirit which is my Divinity Proper.
HELL YES!

Link it up : The Second (Secular) Coming.zip

As a mix, it moves from slow-burning but intense/driven (1-3), to sprawling dirty grandeur (4-5), quietism without passivity (6-8), a darkness (9-11) pefiguring The End and Resurrection (12-13). Quite a history here...


Here is the cast of characters, in the order in which you ought to listen to them:
1 Eternity Is Here *The Gun Club* Danse Kalinda Boom
2 Coded Language *Krust (Featuring Saul Williams)* Coded Language
3 The Prophet *The Make-Up* Untouchable Sound—Live
4 Revelations *Panthers* The Trick
5 Dead Souls *Joy Division* Permanent
6 My Body Is A Cage *The Arcade Fire* Neon Bible
7 City Of Refuge [Acoustic Version] *Nick Cave & The Bad Seeds* B-Sides And Rarities Volume I
8 Be Thankful For What You've Got (orignially by Devaughn - live cover) *Yo La Tengo*
9 Death To Everyone *Bonnie "Prince" Billy* I See A Darkness
10 Share the Fall *Roni Size and Reprazent (Grooverider's RMX)*
11 I Swear *Tulipomania*
12 Back *Alpha* Come From Heaven
13 I Am The Resurrection *The Stone Roses* The Complete Stone Roses

DOWNLOAD : The Second (Secular) Coming.zip


Share the Fall- sparse and epic. Like Fitzgerald, as 'read to me' (i.e. quoted) by Deleuze:
"twilight on a deserted range, with an empty rifle in my hands and the targets down. No problem set — simply a silence with only the sound of my own breathing." The sound of a faraway, lifeless planet: it bakes during the day and it freezes at night.

Body is a Cage: Church organs, giving the grand sweep, the operatic heights, appropriate to the Declaration of Divinity.


Eternity is Here: Once started, this song begins to instantly, insistently proclaim itself. Whipcrack drums, plaintive guitars. Its insistence is almost a prosyletizing.

Death to Everyone: see the cover for a picture of the aforementioned planet.



Lyrically, this songs does this:
"Stars turn, balls burn / Coming kids are raging

Death to everyone is gonna come / And it makes hosing much more fun"

"So strap me on and raise me high / Cause buddy I'm not afraid to die
But life is long and it's tremendous / And we're glad that you're here with us".

Dead Souls- Joy Division made this song, which later was covered by NIN (on "The Crow" Soundtrack). You know what this one sounds like. It sounds like JoyDiv, so how could it not go on a mix about the Second (secular) Coming?:
Ian Curtis died by his own hand (as did Jesus- well, His Dad asked Him to die, and He consented - since He is, in a mysterious but essential fashion, His own father. He consented to His own death: that is, He is a suicide),
and the Crow character COMES BACK FROM THE DEAD to avenge wrongs done him. And what is Divine Justice if not supernaturally aided punishment of the wicked?

DOWNLOAD : The Second (Secular) Coming.zip

Back- Alpha is always slept on: I told you this already. Some fantastic male crooning here; you'd do well to check it out if you like Rufus Wainwright, or the more sedate Morrissey even. This song has a hazy quality: incense floating through a still afternoon.
But In A Barn.
A barn with a record player. And records (for sampling): old ones, very scratchy and mellowed with age.

I = Resurrection- Manchester Madchester : Woodblock like the cowbell in a Will Ferrel SNL skit. "I put my raver-sized corduroy pants on the same way you do, mate: except when I put on my pants, I make GOLD RECORDS!" (cue laugh track)

(please?).

Coded Language - Man, when this one breaks, it B R E A K S out for real. Massive world consuming clattering drums. Some lyrics (By the great poet Saul Williams):
"Motherfuckers better realize, now is the time to self-actualize.
We have found evidence that hip hop's standard 85 rpm, when increased by a number of at least half the rate of it's standard, or decreased at a third of its speed, may be a determining factor in heightening consciousness.

[somehow, he is actually rapping all these words -
- believe, brudda, It Works]

Thus, in the name of:
Robeson, God's son, Hurston, Ahkenaton, Khalo, Kali, Whitman, Baldwin, Ghandi, Gibran, Shabazz, Hamer, Holiday, Davis, Coltrane, Morrison, Joplin, Gaye, Hathoway, Nostradamus, Nefertiti, Shiva, Ganesha, Yemaja, Kennedy, King, four little girls, Hiroshima, Nagasaki, Marley, Cosby, Shakur, Those Still Aflamed, and the countless unnamed!"


By this point of the song, trust me, we are all aflamed. Lit up by millenia of song and millenia of thought, all compressed into (the Coded Language of) quantized drums. INTENSE.

DOWNLOAD : The Second (Secular) Coming.zip

Be Thankful- a mellow little interpretation of the ol' soul-ish/reggae-ish classic. Be Thankful that I put this on there. (You might even snap your fingers during it!) Yo La Tengo is supremely good at covers- get into it and see what I mean...

Revelations- Panthers started out super-Futurist, very much in the vain of !Nation of Ulysses!. The Kids wanted their revolution, by gum, and they were going to knock on the squares until they got one. Now, Panthers seems more gripped by the ennui of being a hipster who knows that he's a hipster, and who also knows what this means: they have become nearly paralyzed by awareness of self-awareness. But the music hasn't frozen - oh no - they have moved away from any formulaic punk and added that rad heavy stoner drone psych grind that the Kids these day like so well: more Black Sabbath and less !Nation!. It's a good mix- heavy, but still with momentum/propulsion.

DOWNLOAD : The Second (Secular) Coming.zip

DEATH TO ALL KINGS
LONG LIVE THE PRINCE OF PRINCES