Showing posts with label 'x' Battle. Show all posts
Showing posts with label 'x' Battle. Show all posts

12.19.2012

Elvis Presley is Not That Interesting

Oh! There is a yuletide star in the sky...

follow it, and you'll find, not a manger....
but Youtube videos! Of Charlie Rich and Elvis Presley!




"Well, I make it alright/
Monday morning to Friday night/
but oh...
Those Lonely Weekends".
Don't be 'so sorry Charlie'! Christmas is around the corner; then you have a few days off... so it's like Every Day is the Weekend! (...oh, ah, ... nevermind)

"you said you'd be good to me, said our love would never die/
said you'd be good to me, but baby-- you didn't even try".

I pulled this Charlie Rich sound out of my vinyl stacks for you, because I heard the following song on the ol' radio :



(live version of Elvis' "Blue Christmas")

Well, of course I heard this on the radio, 'tis the season, right?
Now I like this song, even though I have heard it a time or two. I once sang the most Elvis-y part ("bluuuuuuuuhuhuhuhuhuhuuue") to my cousins, some far ago Xmas, and it cracked them up. At least that is how I remember it!


Anyhow, Charlie Rich's singing and playing covers a vast swath of styles: country-gospel; rockabilly-y;


straight old country;

early RocknRoll or RnB (you know, with the "Blues" still in RnB).

But on "Lonely Weekends", as you can clearly see/hear, he is doing a little Elvis impression. And he's so good at it, and just flat out so good, as one YouTube comment said, "Who needs Elvis?"
Me, I couldn't be bothered to give Elvis coal for Christmas: I just don't care about him. But Charlie Rich? If you see a Rich-Record, for Christ's sake (it's his b-day after all), get me the damn thing!
What do you all think: please tell me someone else out there prefers Charlie Rich to Elvis.
Any takers?


10.03.2011

Amanda Knox: JailBait, or JailBreak??

(jail)BREAKING NEWS
Amanda Knox's prior conviction just overturned!
(--> USA wins again! <--)


Live Motörhead: "Jailbait"
You can download the studio version here

Here are the headlines that I've come up with so far:
"Foxy Knoxy Bounced From Box"
"Foxy Knox Walks Free From Cell Blocks"


Note that at about 4:15 in above video, Motörhead also plays their song "America." It's about how you can't get good meth in Canada; you have to bring it up from the USA for any proper Canadian tour.
As I said: AMERICA wins again!

OR, you can celebrate her freedom with the Irish rather than the British.


Live Thin Lizzy- "Jailbreak"
And you can download (a non-live version of) the above track here

This song title is a bit more accurate as a descriptor of Knox, yeah?, since jailbait causes, rather than suffers, jailtime. Of course, her boyfriend also went to jail... well, he's her ex-boyfriend now... and he's been freed too.

So I'm not sure if she can qualify for "jailbait" status-
What do you think?

9.23.2009

Oh Boy! Obey the Oboe

Just wanted to mention that, because of my 'research' for the last post, I knew that mayflies have two penises.

2!

And at Quizzo in West Philly last Sunday, we were asked about it! And I knew! And we got a point!

Other than that though, you could say we were 'down and out' in West Philly.



youtube got it: James' Brown - Down and Out In New York City

This is from the James Brown-scored movie soundtrack I mentioned last time. See, he's using 'movie-style' instruments here- orchestra, flutes, etc.
Say which you prefer: Curtis' Junkie or James' ...Out In.. in the comments

I think somebody is rocking the oboe?


Which is of course a vaguely phallic instrument. So, if you had two of them, battling it out, dueling banjos style,
or a la "The Devil Went Down to Georgia" (which is a song I like, but do not like at Oscar's, which you can no longer smoke at, at all),
then it would look a little like a mayfly.
Because they have

2!

Oh, and please do not ever forget that oboe players have a posse:

8.31.2009

Blue Lives: Fire Diamond Edition

The Massive Attack album Blue Lines came up twice lately. With Neil for sure, and perhaps with our new friend MarguaX-Y-Z.



I was telling Margauz about music I listened to in high school, and told her and Neil both that a lot of so-called 'trip-hop' hasn't aged so well. Massive Attack, however, is just as great now as then: "Same As It Ever Was".

Blue Lines' cover (see above) reminds me of this:


which is called NFPA 704 (?), and more provocatively, a FIRE DIAMOND .

It sums up the dangers associated with any chemical, on a scale of 0-4 (0 = NBD, 4 = vewwy bad) : blue is health risk, red is flammability, yeller is instabilty/reactivity (think about it, they mean the same thing), and white, much like my blog readership, is 'special'.


Neil knows about Massive Attack because he is Irish. They are one of those bands, like Super Furry Animals, where you know them automatically if you are British, and probably don't know if you are an American, and still only maybe know even if you are an American Indie Nerd.
"Just as great" also includes another album, Mezzanine.

Maybe some other time I will tell you what I think about Mezzanine, which I like even more than the excellent Blue Lines.
But today is not that day. All I will say is this little creepy American Indie Nerd gem: 'it has really good production'.

ew
that's grosser than the bug picture, innit?

The song you are listening to is a cover, although for the longest time I took it to be the original. Still never heard the original (by William DeVaughn), although I now know it to be a cover. This knowledge comes to me courtesy of the American Indie Nerd band Yo La Tengo.
Download their live cover of "Be Thankful for What You've Got" here
Yo La Tengo do a lot of covers, because one of the nerds people in the band used to be a record clerk. So he knows a bit about old obscure business, you see.
All versions of the song say "Gangster Whitewalls", which I like.

5.29.2009

Dirty Clean: Romulus and Remus

OREGON: DIRTY NW
PENNSYLVANIA: CLEAN BUT MEAN
-------------------------------------------

Can I get a free catalog(ue), or what?


Kicked Around - The Ad-Libs

(I've tried an experiment:
I'm writing two blogs simultaneously, so that you will have shorter posts, and more of them. We'll see if this works.
They are opposed twins, so we'll call them Romulus and Remus.
One was posted a few days back, this one today.)




The Above: another nearly randomly selected old CD, one of a growing number from Pennsylvania's own "Collectables Records", who reissue stuff only BenG has heard of.
I'm going to mail away, at Box 35, Narberth PA, 19072, for the free catalog, and see if this label is still in business: I'll post the results. The copyright on the CD in front of me is from a decade ago, so we shall see.

Originally, the songs on this CD, "The Ad-Libs and Friends" were on the Red Bird and Blue Cat labels.
I got this on a recent buying binge at AKA Music in Old City, next to the bookstore that throws out books every recycling day, around midnight.

This practice of recycling their 'never gonna sells' is what produced the immensely popular "Philadelphia's Most Eligible Bachelorettes" magazine/pamphlet/catalog/ephemerus.
Hard to select an appropriately summery song off this CD; not for lack, but rather because of a surplus, a surfeit, a surprising number of happy, clappy jems.
I mean, how to choose between "Ooh Wee Oh Gee", "Gee Baby Gee", "Merry Christmas Baby", "The Boy from New York City", "Sugar Boy", and "Iko Iko"?
With awesome music comes awesome responsibility, I've been known to say.

The initial attempt was to select the uppermost summerishly one, because part of how I am opposing Oregon and Pennsylvania here is that it so often rains in Oregon, and is sunny in Pennsylvania. ALWAYS. (This is not the very most interesting, or accurate, distinction: that's why I made other distinctions too.)
Summery like flask-flip-flops:


But then I decided to give up on that task- so many so summery songs!- it would be like selecting my VERY BEST BLOG EVER, which, since all are

s o ! g o o d,

would be a task for a Deified Romulus.
Instead, you get this
minimal bidness,
Beyonce-style riddim,
lil' flex of a track.
Dense chiming little percussion, an utterly purified bassline, no fluff there.
This one gets honors for those reasons, and also because it musically has the most in common with the last post (though still not much), and is a bit of a surprise, innit? You know what the rest of the disc sounds like- doo wop. This is the oddball of the disc, and when in doubt, "Even or Odd?", we go with odd.

So maybe this battle should be about whether, now that I have more time for new-music magazines and more inclination to be on the internet (the internet was avoiding me before),
would you care to have more "new now" bands like Salem, or stick to the "old odd" tracks like "Kicked Around"?
This blog ain't a democracy- that leads to chaos, naturally and inevitably- but it is a bit of a Republic. (Remember your 'lessons' from last time about Machiavelli?)
Which means that you, the plebs, the common unwashed uncouth unknown -but not unknowing- masses, do get some say. At the least I am curious what motivates and gratifies you, so that I can better control you. (halfsies kiddies)

THUS SPEAKS YOUR DICTATOR: I COMMAND YOU TO SPEAK
in the comments.

5.27.2009

Philadelphia From Salem - Romulus and Remus

I'm trying an experiment:
I'm writing two blogs simultaneously, so that you will have shorter posts, and more of them. We'll see if this works.
They are opposed twins, so we'll call them Romulus and Remus.

One is posted today, the other soon after.

I first was going to have one of my oft-postponed "X-Battles", where I pit two songs in band-to-band combat. This battle then morphed into these twinned posts; which then morphed into a different X-Battle.
There are a series of battles running here:
Oregon X Pennsylvania; (both posts)
Rain X Sun; (next post)
New band X Old band (aka blogbuzz vs reissues); (next)
New band doing a Cover X the Original; (this post)
Scuzz production X Cleanroom production (both).

Now, we will have drugged drugged drugged band SALEM trying to outdo the BOSS himself (who is probably really sober) .


Brustreet - SALEM

Above is Salem covering Bruce Springsteen's great "Streets of Philadelphia". Salem has an EP called "Yes I Smoke Crack". Here is a picture of an historic building in Salem, Oregon, with a crack in it:



This band Salem is probably named after Witch-Trials Salem, but Salem is also the meth-addled capital of Oregon. (I'm more concerned with getting things stolen in OR than PA: meth = stealing, and meth is not much of a drug out here in PA, because meth also = country.)
Salem the band sound like (recently legalized) Absinthe mixed with Oxycontin instead of sugar; like cough syrup mixed with boxed wine; like My Bloody Valentine mixed with the Knife and with strains of chopped and screwed Southern/Midwestern hip-hop : CHOP the pill; and unSCREW the wine.
Oregon is the only state with a two-sided flag. The flag, other than that, is very boring, and why are the letters all crooked??.

Salem is the capital of Oregon- and you ask, "Why not Portland, which I've actually heard of? Or at least Eugene, which has a big ol' university in it?"
Almost all state capitals are the not-biggest city, and this is done on purpose: it is to counteract the very real and very natural power (economic, cultural, geographical) that cities possess more of than do rural areas. This discrepancy occurs even when the cities hold significantly less people in them than the countryside.

(In Oregon, it is a rough balance, #-wise, between quasi-libertarian rightists and "Little Beirut" leftists: left lives in cities, and so has the upper-hand. IT'S A FACT!!)

Placing the capital outside of the largest city helps to strike a balance of the "naturally opposed humours"; the haves and the haves-less.
I steal this idea from Machiavelli. It occurs in both "On Principalities", his most-famous text (aka "Da Prince"), and his "Discourses on the First Ten Books of Titus Livius" and is key to uniting his championing of both quasi-tyrannical power and quasi-democratic republicanism.

--this is Prince on a high-school b-ball team:


Ahem! But, see, Rome's battles, with external enemies and with itself (have X have-less; city X country; Citizen X slaves), are appropriate here:
Rome itself was a productive clash of discipline (the Boss- how long has he been around? about as long as Rome itself: this requires discipline),
and the insanity of a dark violent youth: what do you think propelled and compelled them to take their many older neighbors as enemies, again and again? What do you think pushed citizen against citizen, time and again? (It wasn't drug disputes.)
What do you think drove Rome, with little rhyme or reason (but with plenty of instrumental rationality), to move from ruling nothing, to ruling 7 hills, to ruling from England to Africa to India?.
So Rome itself must be understood as a clash between Salem and Bruce Springsteen- this much has obviously been established- and the question is, who gets the greater share of the legacy?


Streets Of Philadelphia - Bruce Springsteen


Who won the battle? I expect you to argue, to battle this out in the comments section.

8.23.2008

Female Rap Battle

Yes yes yes! If you thought my post about Def Dames was good...
sheeeeit, you ain't heard anything yet:
Come on and Get Some!

(Download "Come on and Get Some".mp3 by the Cookie Crew here!)

This is the first in an ostensible series
called:

___x___ BATTLE!!!

('x' is a variable, so it changes, but the battling aspect remains. Next time, I swear that I am shitting you not, is 'French pseudo-New Wave' Battle! EEEEP! Get excited OH WAIT you ALREADY totally are!)

Since I've already given you a taste of some Def Dames, and I just got this other record recently, the scene is set for an EPIC Battle between.....

Cookie Crew !!!! ((Some Very Bad Girls!))
Bad Girls (Rock the Spot).mp3 - Cookie Crew

and Def Dames !!!! ((They're 'bout to Set it Off!))
Set It Off.mp3 - Def Dames

Another well-sniffed out piece of vinyl!
The hints this time were:

A) it's on the ffrr label
(which I recalled put out LTJ Bukem's classic: Logical Progressions)




----- 1) And then I learned that ffrr was founded by none other than Pete Tong?!?! Hey Koob!!
----- 2)and also learned that ffrr stands for "full frequency range recordings"
----- 3) and that both the label's logo and it's name were both bitten from Decca!
:Stealing is fun!)

B) has a track called "black is the word"

C) has a track called "Dazzle's Theme"
(which you can download on mediafire

or stream from this little fella:



----- 1) which, as a "theme", must be the DJ's own special little jam. DJ's are one of the OFFICIAL pillars of hiphop (which broader than rap- rap itself is 'just' a pillar ), and so a Crew that is paying homage to their DJ understands the roots of hiphop. They get that you can't just spit rhymes, however good, over stupid beats.
Over STOOPID beats, yes, sure. That would be good, to do that.



Watch Cookie Crew on Youtube, that is, if you want to see some more of the above circa '90 "fashion":



D) had the same tracks on both sides (sort of...*), which means that it is a record meant for DJs. Lots of rap records have the same tracklisting on both sides. When you see duplicated tracklistings, you should assume that the vinyl is either
----- 1) a party jam (so that you can throw it on right-quick without looking for the right side) -OR-
----- 2) vocal tracks on one side, and the same tracks as instrumentals on the other (or, one side is Radio-edit [no cursing!] and the other is the LP version [shit-tons of cursing!])
----- ----- a) which demonstrates that you are holding some SERIOUS DJ shit in your hands...

*Sort of... it turns out that they just glued the same label on both sides!... which, since this was released on VINYL and CASSETTE only

(at least Stateside- did I mention that Cookie Crew is BRITISH?!? which makes their rapping skills that much more impressive. As I've said before, the British, despite speaking the very same language as Americans, could not figure out how to rap for the longest time! Go ahead and name 3 British rappers: see?)

means that I almost could not find out what the first side's tracks were. BUT someone commenting on amazon listed the tracks, and although they were for the British CD, and thus were still not exactly right, I made do. YOU ARE SO LUCKY that I put in that effort, huh?

Aw, you're welcome, you old so-and-so.

Now, Def Dames respect the DJ too. They gave him his own track too, wherein they query, "Do You Wanna Battle Tomkat????"


----- 1) the answer would be no, you do not want to Battle Tomkat ("Don't be a fool!"). He'll take your title, you sucka DJ!



Born this Way - Cookie Crew

There, now you tell me:
who won this here Battle?