Okay, funk a little of this through your speak's and 'phones.
This is one of the deftly selected tracks from the last mix (grab a fistful of music, including the song below, here). Now, these fellows may not appear so very cool, but I think they spent all their money recording all those instruments in the studio. And so they spent very little designing, shooting, and dressing for the record cover.
You know, it's expensive to record this many guys.
A story made super short- the expense of putting full large bands in the studio (for disco, funk, etc) was an annoyance for bands and labels alike. So, when synthesizers made it possible to sub out a few guys, and lay down an additional sound without paying an additional dude- well, synths were understandably popular.
And that is how house music is born (I told you this was the short version). Broke people (so more blacks and Latinos- less ABBA Northern European) could make disco without having to have/pay a full band (no drummer, no strings, no piano player, etc) because one person could use synths instead.
-But!- using different materials (the instruments), even if one were trying to exactly replicate an existing form (disco), will inevitably shift the form too. Disco -->(shifty synthy changey)--> House.
(dropping eggs of knowledge in the discothèque)
Now, this song is not proto-house or anything; that is not what I'm trying to claim. But the "Wedded To The Discothèque" mix I made does eventually shift from disco to more recent house. So I thought I'd throw out a condensed version of how that happened historically. How it happens on the mix is different.
Pretend you are at a wedding reception that you actually really really want to be at- I'm DJing (ahem!). After a while, though our parents have drifted away from the dancefloor, we are really just starting to get wound up.
Gotta let it loose.
So your (inimitable! inestimable! incorrigible!) DJ eases out of the Disco classics, and slips into our classics- Blur, Daft Punk, and a few dance gems that you will crown classics, once you have heard them. Check the Jesper Dahlback RMX of Fox 'n' Wolf, for instance. In fact, check out the whole track listing on the last post.
THES ONE & O-DUB FOR DUST AND GROOVES
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One of the few freelance pieces I have taken on over the past year was to
interview Thes One for Dust and Grooves. D&G’s creator, Eilon Paz,
specifically w...